For my fourth and final Giornale, I went to the Basilica of
Santa Maria in Trastevere. I thought
this was really appropriate as this is the same church that some of us briefly
visited on the first day. To be perfectly
honest, I remember sitting on the steps on the fountain in the square and
looking at the collection of Greek and Latin inscriptions on the walls
underneath the portico, but I don’t remember going inside. Sarah B, Frini, and I all walked over there
together after Kevin and Sarah D. had gone home following the Republic Day
parade. The church sort of snuck up on
us as we were wandering through Trastevere.
It is a very unassuming building in a very inconspicuous square, with the
entrance almost hidden from view underneath the portico, almost as if it is
hiding. We approached and I stopped to
admire the inscriptions for a minute before walking inside. The inside almost overwhelmed me with gold
when I first saw it, but I soon grew accustomed to it and really began to enjoy
it. The ceiling is covered with a gilded
pattern, framing a painting of a woman in the center. The front apse was also covered primarily in
gold, but with some paintings as well. The
most prominent was depiction of Jesus flanked by several men on each side and a
woman sitting next to him. The background
was gold with the faces and clothes of the people in color. Underneath this was a painting of several
lambs or sheep, but this time with a darker background. Many other people were depicted on the walls
of the bema. The altar was quite plain,
with solid dark columns holding a roof above it. I was sitting in a pew near the back for a bit
as I took this all when people began to sing.
It might have been in Latin or Italian, I couldn’t tell. I sat and listened for a while before getting
up to investigate the side apses. The
right aisle was mostly in shadows and many of the apses were similarly
dark. The first one, closest to the
back, contained a portrait of a woman receiving the Eucharist. The second apse displayed a scene depicting
baby Jesus. I continued down the area,
peeking into the other apses on my way up the stairs to a small, empty chapel
to the left of the central apse. It
seemed much removed from the rest of the church and very serene. There was a sign saying that it was
exclusively for prayer, so I didn’t enter.
I then descended the stairs and met up again with Frini and we both went
to investigate the right hand chapel as well as the singing that was still
coming from it. The left aisle was much
brighter than the right one because of the sun.
As we got closer we saw a crowd and I stood on tiptoes to see a young
man dressed in white looking very happy and hugging people. Frini said that she thought it was a ceremony
for a newly appointed priest, and that seems logical to me. It was a very nice thing to happen upon. We stood there for a bit, enjoying the
happiness in the air before running into Sarah on our way out of the church.
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